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"Our families, our neighbours went out to the streets to support their teachers," said Ivan, recalling the protest. "During those actions, I went out as just a kid to confront and to defend."

Chapo, another artist from the ASARO collective, echoes the same sense of urgency that first pushed the artists to organise. "We were art students and we started painting because people gave us spray paint. That's how it started," he explained.

"One of the ideas that we all had was that art is an instrument to support the struggles of our people. That is the essence. It is an instrument that opens discussion or analysis of problems that are developing in our environment," said Chapo.

ASARO has continued to play a role in changing the appearance of Oaxaca's city streets. Their work recycles popular imagery remixed with revolutionary heroes, indigenous symbolism, subcultural rebellion, and depictions of villainous politicians." ~ Oaxaca's Revolutionary Street Art